The Force of Comicity — Interview with Maurizio Pistolesi

When did you get the CINEMA and the TEATRO? Was it a CASUAL or PASSIONAL VOCATION?

Pistolesi: PASSIONAL, MY COUNTRY THAT I DID IN MY LIFE. I can give you a hand to the ELEMENTAL SHOW, because I don't know how but, I've made this very difficult and that I was not able to make it so bad that I was going to be a little bit of a PUBLIC and, I'm going to try to make it easier. I've been brought to my life by my own side, because I've been so stubborn as to be the one. I don't have any fear of speaking of my life.

12 YEARS WHEN MY PADRE, FOR ALL THAT I WANTED TO DOWN, DOPPIAGGIO, TANTE COSE, I DIDN'T POINT WHY I WOULD GUAD TO AS IF I WANT TO ARRIVATE TO ACCAPARE. Because of a PUNTO CERTO of my life, I was very good; I did a little bit of all that I had never done before. I've got the COURSES OF TEATER, CINEMA, DOPPIAGGIO and FIRST.

INITII TO MAKE TO THE AGE OF VENTIDUE YEARS WITH ANDREA GAMBI, A MIO CARISSIMO AMICO HAS LASCIATO ONE YEARS AND HAS THANK TO STRADA; HAS LAVORED WITH ETTORE SCHOOL IN HIS FILM “THE CENA” WHERE HAS RECITTED WITH GIANNINI, ARDANT, GASMAN, FOR WHICH IS ARRIVATED AND WAS A PO' MY ALTER EGO, ADDIRITTURA THE REGIST ETTORE I DEFINITE COS "I FIND A ONE OTHER WELCOMES".

I'm so good and I've had my own self-discipline, I've gotten into it with the echoes and with my TOSCANI COMIC ATTORS. I'm ORIGINAL with GUIDELINED YOUNGS, WITH THE FIRST FACENDING OF COUNTRY SERIES. I'm so sorry.

Among all the persons that you've had, what is between these things that remind you of more? What do you think?

Pistolesi: I've never done anything, because you've got it, you've got it, you've got it, you've got it. I've created a CREATION OF PERSONNEL, from MAESTRO ALESSANDRO RICCIO; DUNQUE, YOU DEVELOPING TO BE THAT PERSON There. I've got it in the middle of a lot, because it's been HANS LUTER, the LUTERO MARTIN PAP.

It's an IMPORTANT PERSONNEL that I've gotten into my own NATURALITY AND POWER FOR THE CONTRACT FEELS OF RAPPORT BETWEEN PADRE FIGLIO

WHY IS RESOLUTION IMPORTANT IN THE WORLD OF COMICITY AND HAS A VALUE IN MORE?

Pistolesi: Because before all of the people, they have to believe that they have to believe. They have asked us, I would like to ask you, to give us a look at the information because “the answer” is what makes you sober up your wish and for this humanity.

The Pirandellian theatre is based on the poetics of humor; it (the poetics of humor) has made a distinction between person/personal character (mask), stating that the character is the mask that recites the part dictated by society and that produces the verosimile. Your theatre (ironically we call it Pistolesiano theatre), also in cinema, is it combined with the poetics of humor of the Pirandellian theatre?

Pistolesi: But yes, but yes, but yes! But I'm going to be one of them, but I'm going to be so sorry because I'm going to be a very nice girl, and she's going to be a little bit of a lot of work and, you know, so I'm going to be a little bit of a piece of work. COMMUNITY AND CONCORD

Do you want us to get your person or your own way of being?

Pistolesi: It's all right. _ It's the same thing as the one who said it was, and I did it, and I felt I was angry, and I felt I was angry, and I knew what I did, and I knew what I did was wrong, that I was incomprehensible, and that I was incomprehensible, and that I could do that in a more powerful machine. I've got a lot of money and I've got it.

We know all that CINEMA and TEATER are unrealistic (for example, the “HOUR AND NOW”, I’m sorry for the “HEN YOU DO” What history do you want to bring it to the Vatican or to the CINEMA?

Pistolesi: ” THE HISTORY OF PATHOS, OSSIA THE TRANSMETTLE A FEITMENT; WHEN IN THE WORLD There is DIFFICOLITY. To judge the persons for their own purpose, there is a lot to do with a lot of NASCOSTO, MATERIAL TROP.

I've given you, in my life I've committed, as I am, my being, my feeling of being a bit of a rupture, of being able to live with them; I have the opportunity to do so.

What's the matter with the PYSTEM?

Pistolesi: The WORKER has a great deal of IMPORTION because he knows that the PUBLIC can emulate, he can have the GESTI, the WORDS. Is it a bit like a majesty and Is it IMPORTANT?

What do you think you're going to do to make a great artista?

Pistolesi: I'll give you a chance to get rid of it. I've had a great fortuna because I've seen the TELEVISION. I'm getting back with all these BIANCO AND NERO ATTORS. I got a little bit more COLIZZI, DOUBLE. I've been a fan of GASMAN, RICK and GIAN, BRAMIERI, ALL THE ATTORS OF A VOLTA, TOTALL AND OTHER. All I've ever had to do with the TEATER I've been wondering what you've done and how you've got the story of a LIBRO who's trying to get you into this.

What is the time of your own life-threatening?

Pistolesi: WAO DOWN!! I'm sorry. I'm sorry. I'm sorry.

Who do you want to RING FOR YOUR PERSONAL PROFESSIONAL PERFORMANCE? What are your FUTURE PROJECTS?

Pistolesi: I'll tell you what. I'm sorry, I'm sorry. I'll give you all the persons I've had to do.

ULTIMO RINGRAZIO GIOVANNI GUIDELLI, che è un RAGAZZO SPLENDIDO and che mi MIA TO TIRARE FUORI QUALCOSA DI NEW. _